Written for RAF News December 2019
Terence Malick returns to the subject of the Second World War, this time using his philosophically meandering style to focus on one man’s resistance in a small mountain town in Austria.
Malick’s films have become rather divisive since his foray into the more heady and artistic beginning with Tree of Life at the start of the decade. Using a combination of grand sweeping shots of stunning landscapes, and macro observations of intimate detail, he creates a poetic lament on lofty subjects such as the nature of existence, usually through the lens of Christian morality.
A Hidden Life fits perfectly into this mould, observing Franz Jägerstätter (August Diehl) with his family, the simple pleasures of harvesting crops and playing with his children. This mountain life will soon be disrupted by the growing Nazi invasion as it demands support and allegiance – requiring everyone in town to contribute toward the cause and swear an oath to Adolph Hitler.
Franz’s act of defiance will set him on course for execution, and so he must consider the morality of his actions, weighing the impact on his conscience against the consequences to his family. A question is being asked of the audience, not so subtly mind, of what it means to believe in something and to stand up for it at whatever cost.
The slow pace and long shots ground the characters, so that without dialogue you feel as though you understand the complex emotions. The reflective nature of the film works to have you contemplate the ideas that are being presented, but this pretty much instructed almost instructed by the whispered narration of characters thoughts, another Malick staple, that could be distractingly heavy handed if it weren’t the only element breaking the repetition.
There are moments of observed beauty and connection, but within a much longer and perhaps intentionally simple film, with a 3 hour running time, the point is somehow both lost and overstated.