Month: September 2018

Skate Kitchen (2018)

Written for RAF News Sept 2018

Camille (Rachelle Vinberg) is a bit of a loner used to watching others from the outside, from the safe distance of Instagram, and much to the chagrin of her mother: she’s a skateboarder. It’s not long before Camille sneaks out from the protective care of her overbearing mother in Long Island to the spot Downtown where the crew that she follows are getting clips.

Image result for skate kitchen

Skate Kitchen is the name of the real all-female group of skateboarders at the core of this film, not only can they skate, they skate well (or: shred). Delving deep into this subculture of NYC youths, there are a few layers of nomenclature to decipher but all of which introduces you to this world in a real and realised manner.

Recognised from her own posts online, Camille is quickly taken in and introduced to the gang complete with mouthy tom-boy and mute filmer – they’re a close bunch, not lacking confidence, and with a look that is pure 90s chic. The film is focussed on Camille’s journey of self-discovery drifting from her restrictive household to the embrace of this supercool possie of stylish hipsters. There is some boy trouble thrown in along the way in the shape of Jayden Smith’s Devon, but it doesn’t have the same organic flow.

Skating the streets, getting into scraps and getting stoned at each others houses, the skate crew’s interactions are funny and awkward with a naturalism that brings ordinary conversations to life. It’s this same realism that makes the more obvious dramatic scenes feel artificial, distracting from what is so interesting about this film.

Written and directed by women, there is a distinct female voice that shines as the group talk about sexual harassment and how tampons don’t actually cause the loss of limbs. Unapologetically standing up to others, the attitude of the girls reflects the film, or as one of the group so fittingly puts it: “It’s, like, feminism”.

A slightly overlong coming of age story that has been told many times before but from a perspective that has seldom.

strip

After another night of exceptional food and Jazz, we find ourselves in the horribly overpopulated strip of tacky bars on New Orleans’ Bourbon Street. The group want to head back but I declare that I want to find a dive bar: somewhere out the way, equally disgusting but intimate. A cosy kind of hideous. Unsurprisingly most prefer the alternative of sleep.

My offer is taken up by one but I soon realise that he has his own agenda and one stubby can later, in a quiet bar not nearly dingy enough, we head straight on to a different kind of establishment. This was my first visit to a strip club and I hadn’t anticipated it so after the entrance fee I’m left with a 20 in my wallet. Now this may be my first rodeo but I know I need smaller bills and so I buy us a couple of beers, leaving me with two dollars to play with. Best make em last.

I’m given a little walk-through tutorial, shadowing my friend as he takes me to a chair around one of the raised stages, a black marble island pierced by a golden pole. He throws a dollar out in front of us, I follow suit placing half of my total purse beside it. The woman on stage isn’t so much dancing as working around the spectators and fucking the air in front of them. She is topless, wearing heels and a thong. I’m not so much as turned on as uncomfortable but trying to project otherwise; casual and familiar.

As she arrives at our two dollar ‘pile’ she leans in and asks where we’re from. England. I didn’t know conversation was part of the deal and so I decide to take the lead and return the question. The Czech Republic. Master conversationist in my element, I hold her gaze and shout loud enough as to be heard above the music “…My favourite author’s Czech, have you read any Kafka?” She doesn’t reply, just drifts off into the crowd. Perhaps she’s more of a Čapek kinda girl.

One of the dancers walks up beside us, silently climbs up on the stage and then just keeps climbing. She gets to the top of the pole, about 10 feet off of the ground, and holds for a second before letting herself fall. She lands with her legs split apart, her thick plastic heels smash against the ground with a reverberating crack. If she didn’t have your attention before, she has it now. I’m not so much as turned on as appreciating her athletic ability and showmanship. Now this is I can get behind. I place the last of my cash out in front of me and when she happens upon it, she picks it up, folds a crease lengthways along the bill and drops it back down. She leaves a dramatic pause before dropping over ol George and picking him up betwixt her cheeks.

Now that I’m tapped out, my advising cohort takes the lead once more. Between stages there is a large red carpeted staircase leading up to the balcony – shielded from view and manned by security. The second level. My friend talks to a petite blond, gives her some cash and she takes me by the hand and leads me up the stairs and through security. She sits me in a walled off vestibule, sets my drink down and introduces herself. Lolita. “I love that novel, have you read any Nabakov?” I’m really getting the hang of this.

Then I get my private dance, I smile politely and awkwardly. Not so much turned on as fulfilling my part of the deal as an audience member. I want to be respectful and encouraging despite my discomfort and so I end up nodding congratulations at each of her moves like a parent asked by their kid to watch as it jumps into the pool in varying ways. My faux-enthusiasm is wearing thin but I don’t think she could give a fuck – not really striking me as the shy and sensitive type as she hits her tits against my face. When we’re done she hands my beer back to me and makes a point of thanking me, for being so polite.

As I walk down the red-carpeted stairs, back into the riff-raff of level 1, the ground dwellers, I think about what Lolita meant. Perhaps there was a sadness beneath her words, that others are abusive or inconsiderate, but her tone just makes me think: I was doing it wrong. Next time I’ll come prepared, or better yet I won’t come at all.