Written for RAF News August 2017
Maud is a passionate artist with arthritis and a bad leg, eager to get out into the world and free from her aunt’s care to make a life for herself.
Idly looking over paint cans in the store she hears the grunts of an inarticulate local wanting to put up an ad for a housekeeper. This is Everett Lewis, a stubborn and neanderthal-like man who has trouble communicating at all, much less show compassion.
The film looks at how these two opposing personalities come together, as Maud gently forces her way into his life initially as his live-in maid, bringing with her warmth and colour, painting the walls and windows of his humble shack as a perfect metaphor.
Maud has a romantic outlook on the world best encapsulated in her paintings that take the best from all seasons. Sally Hawkins is utterly transformed bringing this real folk artist to the screen: posture shrunken down with her shoulders brought in though her smile remains permanent. Hawkins is artful at magnifying small personal victories through her infectious smile, a trait reminiscent of her break-out role in Mike Leigh’s Happy-Go-Lucky but Maud is a little more meek, on the surface at least.
Ethan Hawke plays against type as Everett, so often the sensitive one it’s hard to believe his masculine posturing. Everett is shown as gruff and aggressive, hard on Maud from the outset and reluctant to hire her in the first place. It’s clear that that his hostility comes from feelings of inadequacy and yet Maud never really has her moment. We see him grow passive to her, a comedic way of relaying that things have changed in the household. She cooks and cleans as required but continues to paint simply because he never tells her to stop. Whilst it is interesting to avoid the obvious moments, having Everett’s tenderness or understanding occur off-screen makes it hard to sympathise with.
In all Maudie is a little slow and perhaps deservedly heavy on sentiment, with a relationship that is quite hard to engage with, but Hawkins performance is a triumph.