Bull (2021)

Written for RAF News November 2021

Bull is the name of a London thug, enforcer and son-in-law to Norm, the boss of a local crime syndicate. But when Norm’s drug-addicted daughter wants to separate from Bull, and won’t allow him to take their son, things escalate: a caravan is set ablaze and he is left for dead.

We’re not sure of the details just yet, information is steadily doled out in flashbacks between visits from Bull to each member of the gang. If you’ve seen Neil Maskell on film before, you’ll know that it’s a mistake to cross him. Starring in Ben Wheatley’s films with a fury that sometimes explodes on screen in horrific barbarism, Bull keeps Maskell’s reputation firmly intact.

It’s easy to see why he was a valued asset to his father-in-law; where Norm (an intimidating and insidious David Hayman)

does the talking, Bull gets straight to action – unflinching and apparently unbound by morals. There is a bold matter-of-factness to the violence which sometimes tips into full-on gore. Whilst there is tension, there is no standing on ceremony, no conversation that needs to be had, just revenge to be enacted – which is probably why the film flies by with a lean 87-minute runtime. Written and directed by Paul Andrew Williams (London to Brighton, Cherry Tree Lane) there are some clever stylistic touches that take us into Bull’s rage-fuelled mania – with one particularly haunting moment on a Waltzer that just keeps growing in intensity.

It’s in the final moments that things go a little awry, building to a reveal that doesn’t quite pay off. As a quick and brutal revenge thriller though it works fine simply as an excuse to follow this deranged antihero on a warpath.

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