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Account created my curiosity was just so that I would think about it a lot but use it very seldom. It still felt wrong. So casual and flippant, urging you to judge people by the glimpse you were afforded of their appearance or personality.

Unable to help myself I would judge people for their choice of pose or camera-angle, on a small biological quirk, the prominence of their features, on the small details in the background, the untidiness of a bedroom reflected in a mirror, or how intimidating their friends look.

I would cringe for them, and then myself, knowing that someone is making these same judgements about me. Now that my profile was live it could be happening at any given moment. As I wake up someone is repelled by the size of my eyebrows, jumping in the shower someone mocks me to a crowd of peers about how deranged I sound in my description, as I drift through the ennui of my new single life, someone I know dissects my profile, taking screengrabs and sharing it with everyone else I know, laughing together, all of them in unison, all before I’ve even had my fucking breakfast.

In an effort to restore some balance, and wishfully create some karmic reciprocity, I would pay respect to each profile, give each person the time and consideration before swiping them away. But still, swiping. So churlish a gesture. If only I could bow an apology to those I don’t see a connection with – this could only be facilitated by the fingertips of prayer-met hands pressing against the screen, dragged down and over as I dip my head and deliver a compliment about the way they wear the hair or something.

single

I’m new to dating. Every relationship I’d had until now had grown out of friendships or friends of friends. Never set up so much as meeting and talking, and then deciding to keep meeting and talking until we run out of conversation; or feel complete disdain for each other and the people we had become. All healthy character building though ay.

I once asked for a girl’s number at school – written on a scrap of paper which I treated as a medal of my bravery, to be kept as a reminder and never actually called. I once worked up the courage to ask out a stranger but as luck would have it she was busy – an extraordinary turn of bad luck considering that I didn’t specify a date or time.

Since then I’ve stumbled and fallen into a handful of relationships clocking in at a total of around 12 years. Almost half of my life spent attached to someone. Now I’ve reemerged like a prisoner of yesteryear into a world that has changed so much that I’m a little overwhelmed by it’s rules and games.

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I don’t have social media and have been away from it long enough to find it a little alien. The ability to cherrypick ones online identity, what you choose to show, accentuate or completely erase makes me feel very uncomfortable. I cannot take a selfie with any degree of seriousness, or use hashtags without wincecringing. I have gotten as far asusing a handful of emojis, though I most definitely use them incorrectly and have been known to misinterpret them on the other end. Suffice to say I’m a little backwards when it comes to this form of communication, which as it turns out, is the bedrock of online dating.

I can appreciate the idea of online dating but this side of it is hard to overcome.

Since my sudden singledom I have become obsessed and so this seemed like just another cleverly designed distraction. Surrounded by people who use these apps, evangelists to the cause, I was convinced to join, or rather they did it for me.

Wolf Warrior 2 (2017)

DVD Review – Written for RAF News February 2018

Returning from battle with his comrades ashes, Special Ops ‘Wolf Warrior’ Leng Feng discovers a real estate firm destroying his hometown. In the blink of an eye dozens of company goons wielding 2x4s have been floored and police have them surrounded. When Feng kicks the gun-toting ring leader 10ft into the air and through the windscreen of a police car, he is imprisoned in military jail for two years.

Once released, Feng finds himself in an unnamed African country where he establishes himself as man-of-the-people, offering aid to locals ravaged by a highly infectious disease and protecting them from a bloodthirsty militia. It seems they have teamed with some deadly Western mercenaries straight out of Street Fighter.

The driving force of the film is Wu Jing: the writer and director who also stars as borderline superhero Leng Feng. An embodiment of patriotism, Feng actually turns himself into a Chinese flag at one point, this despite being dishonourably discharged because: “Once a Wolf Warrior, always a Wolf Warrior.”

Now the second highest grossing film in China, this is a large scale production with sweeping shots of navy fleets and tanks being used for a demolition derby. There is a lot of sketchy if not passable CGI, but alongside practical effects and wire stunts that give some weight to action. These set pieces are built around a flurry of fast paced fight choreography devised by the same team behind John Wick and Atomic Blonde. Though intricate it never gets hung up on realism. The opening scene features an underwater fight scene that misunderstands gravity and overestimates lung capacity by some way, and yet this is what makes it enjoyable.

The attempts at humour and drama fall flat but form a necessary breather between gunfights and hand-to-hand combat, which is where all the fun is to be had.

Addendum:

Besides this, the message is one of frighteningly unambiguous nationalism. It reduces an entire continent to a land filled with savage militants and the helplessly impoverished – all ready to be protected by the Chinese military, crystallised in the form of one morally superior and high-roading motherfucker, so convinced of his invincibility that he rarely takes cover from gunfire and is able to catch an RPG with the wire frame of a mattress. This is a joke. A hugely expensive and highly profitable joke, that is only funny when it’s trying to be serious.

slime

Mortality is a pretty tough nut to crack with a three year old.

It was last year that he picked up on the cat’s sudden absence and since it was our first brush with death we decided not to sugar-coat and instead explain with obvious care and sensitivity. At that point in time however the scope of his curiosity was too large and attention span too small.

In the intervening months he has watched films that deal with the subject in a poetic form that has caught his attention and captured his imagination. Mine too for that matter. The Red Turtle is a notable example that gave him plenty of questions that I would try my best to answer.

Now, add to this the fact that he is open to the darker and more macabre stories. The Nightmare Before Christmas was a fast favourite, a film not watched much anymore, the soundtrack listened to on occasion but the book still read often. Other works of Tim Burton float around but the one dark obsession that has proved itself rather divisive amongst company is The Gashlycrumb Tinies by Edward Gorey.

An A-Z compendium, or abecedarian, that describes the bizarre deaths of a bunch of kids accompanied by Gorey’s sometimes graphic illustrations. My boy likes the rhyming couplets (the page above following the demise of April who fell down the stairs), and as it’s a quick read he often pulls it down of a night and has me read the name for him to respond with how they perished. (There is one page that I’m careful to avoid, the illustration at least, which is very graphic: K is for Kate who was struck with an axe.) It might seem like I’m training a sociopath but I don’t believe it to have had any negative affect on him at all.

The sentences are worded carefully and humorously, and none are disturbing save for Kate. He is familiar with all of the words (save for ‘ennui’ maybe, the reason behind ol’ Neville’s passing). We are protective of him in a sense but believe we have a good grip on his understanding and compassion, of what could unsettle or disturb, and it is from certain television shows and films that seem otherwise innocuous that he has picked up certain words and ideas that can appear… worrying?

Fond of creating stories, or: artfully lying, the boy was telling me a few days ago how a torch had gone missing earlier in the day, most definitely covering for the fact that he had taken it and been caught.

“A strange man came in and took the torch from upstairs”

Did you see him?

“No. I was in my bedroom”

How do you know it was him?

“Because he came in and took the torch”

Oh right. Do we have the torch now?

“Yeah I got it from him”

How do you think we should stop it from going missing?

“We hit him with a hammer and kill him”

I am stunned silent.

It seems we had missed the opportunity to talk about Kevin and will have to let the medical professionals take it from here.

That’s when a small semantic flourish restored all hope.

“We hit him in his head. All made of slime”

Oh thank the lord.

Still a bit worrying, but less worrying for sure.

Last Flag Flying (2018)

Written for Raf News January 2018

Set in late 2003, this loose sequel to The Last Detail follows three embittered veterans as they reunite and reminisce against the back drop of the Iraq war. More a road movie than a war film, Last Flag Flying looks at the long term effects of military service and how it can shape a persons life.

When recently widowed Doc (Steve Carell) receives news that his son has been killed whilst serving in Iraq, he sets out to reunite with two Vietnam buddies to attend the funeral. Mueller (Laurence Fishburne) has changed a lot – now a Reverend who has apparently found peace – whereas Sal (Bryan Cranston) has not, an alcoholic who provides insistent comic relief with an obnoxious charm. Doc is the humble, quiet man at the centre with the angel and devil on his shoulders: one with spiritual guidance and the other with unprompted honesty. What binds these men, and will become a large part of their journey, is compassion.

Their history is pulled out gradually from conversations on the road, which allows us to learn about their past and the people they once were. Part of this remains unsaid, which adds a fitting naturalism for these ex-military men.

Often they will repeat chants and phrases, though now with some detachment but still with a sense of nostalgia. They have become disillusioned to war but have a bond between them that runs deep despite their differences. Coming across military officials and young marines, they will critique and challenge now that they have the chance: a last ditch effort for some much needed catharsis.

Last Flag Flying is a little sickly and over the top, coming across contrived when pushing too hard or too often for laughter or tears. The principal cast are all playing parts that we have seen them in before, and it may be nothing new or surprising but their familiarity and chemistry make the film both funny and moving at times.

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