In the ‘How-to’ guide of film snobbery, claiming that “the original is better than the blockbuster” is a good way to set you out from the crowd as a true lover of cinema. Especially when the original is a little-known, foreign film – in which case, efforts must be made to constantly refer to the original title: extra kudos for applying an accent where necessary. So in the wake of Let Me/The Right One In (or Låt den rätte komma in for those paying attention), I have taken another recent example of Americanisation and provided an unbiased comparative study…though I have tried my utmost to flaunt my own film-snobbery.

Continue reading “Sibling Rivalry: Brothers and Brodre” →