Written for RAF News May 2018
In That Good Night, aged screenwriter Ralph Maitland (John Hurt) is living out his days in a picturesque Portuguese villa, trying to pen a project before ‘the ultimate deadline’.
Diagnosed with a terminal illness, Ralph remains as combative as ever whilst he works out what to do and who to tell. He invites his son Michael (Max Brown) to come and see him but is soured when he brings along his partner Cassie (Erin Richards). It becomes apparent that the people closest to Ralph have been pushed away – he is mocking and derisive, delivering insults with a smile.
The supporting cast of the film, including Maitland’s much younger wife (Sofia Helin), remain awkwardly stilted and two-dimensional for the most part, but it is clear that the story is not for them. It is only when Charles Dance arrives playing a mysterious white-suited visitor, talking over plans of assisted suicide, that the performance of Hurt is matched and the material is elevated.
But for a film focussed on questions of mortality, of accepting death and leaving loved ones behind, it seems afraid of real emotion. The queasy and insistent score signals reflective sadness, changing only to introduce clunky moments of comedy that might have just passed if the score weren’t so prominent. It appears that certain scenes would have been better served by silence, but perhaps that would have invited unwanted pathos.
John Hurt stands out with his twisted and embittered old man – the depth hinted at in this performance and the knowledge of the actors recent passing adds a poignancy that might have otherwise been absent from the film.
Reading Dylan Thomas’ poem (from which the title is taken) over the final black screen is a perfect close and a fitting send off for the beloved actor.
Written for Raf News January 2018
Set in late 2003, this loose sequel to The Last Detail follows three embittered veterans as they reunite and reminisce against the back drop of the Iraq war. More a road movie than a war film, Last Flag Flying looks at the long term effects of military service and how it can shape a persons life.
When recently widowed Doc (Steve Carell) receives news that his son has been killed whilst serving in Iraq, he sets out to reunite with two Vietnam buddies to attend the funeral. Mueller (Laurence Fishburne) has changed a lot – now a Reverend who has apparently found peace – whereas Sal (Bryan Cranston) has not, an alcoholic who provides insistent comic relief with an obnoxious charm. Doc is the humble, quiet man at the centre with the angel and devil on his shoulders: one with spiritual guidance and the other with unprompted honesty. What binds these men, and will become a large part of their journey, is compassion.
Their history is pulled out gradually from conversations on the road, which allows us to learn about their past and the people they once were. Part of this remains unsaid, which adds a fitting naturalism for these ex-military men.
Often they will repeat chants and phrases, though now with some detachment but still with a sense of nostalgia. They have become disillusioned to war but have a bond between them that runs deep despite their differences. Coming across military officials and young marines, they will critique and challenge now that they have the chance: a last ditch effort for some much needed catharsis.
Last Flag Flying is a little sickly and over the top, coming across contrived when pushing too hard or too often for laughter or tears. The principal cast are all playing parts that we have seen them in before, and it may be nothing new or surprising but their familiarity and chemistry make the film both funny and moving at times.